Sunday, June 5, 2011


I will close this run on the LA bands with the group that I feel was the most influential on the music scene during the 60's. The Byrds crossed over to and from so many different kinds of music during their tenure. The original lineup helped begin giving the music fans their first look at electric-folk rock and psychedelic music. They were the front runners in the birth of country rock. In OMO they were the best in the LA scene.

The Byrds were an American rock band, formed in Los Angeles, California in 1964. The band underwent multiple line-up changes throughout its existence, with frontman Roger McGuinn (aka Jim McGuinn) remaining the sole consistent member until the group disbanded in 1973. Although they only managed to attain the huge commercial success of contemporaries like The Beatles, The Beach Boys, and The Rolling Stones for a short period of time (1965–66), The Byrds are today considered by critics to be one of the most influential bands of the 1960s. Initially, they pioneered the musical genre of folk rock, melding the influence of The Beatles and other British Invasion bands with contemporary and traditional folk music. As the 1960s progressed, the band was also influential in originating psychedelic rock, raga rock, and country rock. In addition, the band's signature blend of clear harmony singing and McGuinn's jangly twelve-string Rickenbacker guitar has continued to be influential on popular music up to the present day. Among the band's most enduring songs are their cover versions of Bob Dylan's "Mr. Tambourine Man" and Pete Seeger's "Turn! Turn! Turn! (to Everything There is a Season)", along with the self-penned originals, "I'll Feel a Whole Lot Better", "Eight Miles High", "So You Want to Be a Rock 'n' Roll Star", "Ballad of Easy Rider" and "Chestnut Mare".

The original five-piece line-up of The Byrds consisted of Jim McGuinn (lead guitar, vocals), Gene Clark (tambourine, vocals), David Crosby (rhythm guitar, vocals), Chris Hillman (bass guitar, vocals), and Michael Clarke (drums). However, this version of the band was relatively short-lived and by early 1966, Clark had left due to problems associated with anxiety and his increasing isolation within the group. The Byrds continued as a quartet until late 1967, when Crosby and Clarke also departed the band. McGuinn and Hillman decided to recruit new members, including country rock pioneer Gram Parsons, but by late 1968, Hillman and Parsons had also exited the band. McGuinn, who by this time had changed his name to Roger after a flirtation with the Subud religion, elected to rebuild the band's membership and between 1968 and 1973, he helmed a new incarnation of The Byrds, featuring guitarist Clarence White among others. McGuinn disbanded the then current line-up in early 1973, to make way for a reunion of the original quintet. The Byrds' final album was released in March 1973, with the reunited group disbanding soon afterwards.


david said...

not a bad album. it's a shame someone doesn't remix it ( it cries for that!) add the outtakes to it ( a collector currently holds that tape), the two Reunion tracks from 71 done for Gene Clark, "My New Woman", and put out a nice bonus edition.Probably never see it, makes too much sense.

24HRDEJAVU said...

I have long been a fan of this LP and I too feel it could be repackaged to an appreciative market Thanks David

Anonymous said...

This one I only had on LP. All my years of Byrd collecting. Through records, 8-Tracks & cassettes I had finally got them all on discs this year except for this one.

Thank you. This part of my life is now complete.

I always thought Gene Clark shined through the most of everyone on this album. Sounding like he did on his solo, No Other.


Post a Comment